Why even bother submitting work to large publishing houses or independent presses, where you have to wait for months on end not knowing whether your work has been read or not, whether the editors enjoyed it or not, whether they even got the email or mailed manuscript or not? And even if they accept it, which is not very likely, are they going to have extensive editorial notes or not that could, and often do, alter the integrity of the piece in question? And those are only a few of the complications that can arise.
I recently sent off a non-fiction piece to a lit journal. The piece in question had a unique format where I experimented with the shape of the piece and the idea of footnotes that work to distract the reader from the main narrative in order to explore the main theme of the piece. Yesterday I received a nice email which asked the following: I think it's very well written but just a suggestion before I give it to the editor to review: the body of the essay reads very well but the footnotes I feel takes away from the storyline. Could you revise it and resend with just the main story for review? Although the person who sent this email was very nice and appeared accommodating, this person wanted me to remove a majority of the writing in the piece. A change that would have transformed the entire meaning and purpose of writing in the first place.
That is just a small glimpse into the world of standard publishing. Often it is littered with short form rejections suggesting that the work you have devoted thousands and thousands of your precious hours to have not even been read. This is what drives many to self-publish. It eliminates the stress and defeat and overwhelming weight (wait) that accompanies submitting to publishers and literary journals.
Because there is nothing more satisfying than having someone else tell you that your work is worth something. That email, or phone call, or whatever it may be, that tells you: “Hey, I liked what you did there with those words and stuff, it made me feel something, I want others to feel something to, let me show it to them.” That is beautiful.
As a writer and publisher, I see publishing as a communal activity. Publishing is a collaboration between artist and art lover that connects the rest of the world with the beauty that words can created. Granted publishing has lost its way in the last 100 years or so, the United States on a whole being controlled by the Big Five, and soon to be Amazon.com.
I’m not naïve to ignore that publishing in our age--publishing in the classic sense—is next to impossible. I know that beauty and power and brilliance are no longer causes for publication. I know that the book has become a commodity for the world at large, that readers are simply consumers devouring what is shoved down their throats. I know. But that doesn’t mean I need to be part of that world. Nor does it mean you need to be part of that world either.
If you are after money with your writing, by all means, self-publish—just make sure you are a killer marketer and publicist.
But as for me, and From Sac, we’re about beauty.