With this new decade, we are changing things up here at FROM SAC with the addition of a new monthly publication we call FROM SAC Monthly. This is where you'll find all of the monthly published authors and artists. We're excited to have more words to share, while allowing more authors the joy of sharing their work with readers who care.
Stay tuned for February and the first month of publications!
In honor of our theme, Voices, here are some poems being read by their authors. First, find a copy of the poem and read it to yourself. Then click on the links to hear the writers read. Pay attention to the differences in how the writer reads compared to your reading. What differences do you hear? How do those differences change the meaning of the poem for you?
William Carlos Williams: This Is Just To Say
Elizabeth Bishop: The Fish
Welcome to 2018
I’m so excited for this year! Our last issue marked five years of this wild project—and to be honest, I never expected From Sac to last this long. Life is at the very least unpredictable, and often time-consuming in areas you’d rather not devote your time. But a man’s gotta eat. And apparently so do his kids. Who knew?
My point: I am grateful for the opportunity to work on From Sac and to be on this wild adventure.
Elison and Tess would agree with me when I say that the INSANITY issue last year was by far our best issue yet. Now that we’ve figured out how to make this all work within the confines of our hectic schedules, the process is much smoother. Plus, it turns out that people are starting to notice From Sac, even if just a little, so that we now get hundreds of submissions a year—I don’t mind the extra work, this is exactly what I hoped would eventually happen.
If you haven’t read INSANITY yet, be sure to order a copy on Amazon. It’s a fantastic read, and it helps the three of us continue funding From Sac. Seriously, the sales pay for hosting the site and allowing us to provide contributor copies to our wonderful authors and artists.
But most importantly, I could not be more excited about this year’s theme. We are trying something a little different than what we’ve done and we’ve seen others journal do. The theme for 2018 is
Sound like our others themes? There’s a catch: this theme has two layers (like a cake or something):
Like I said, it’s going to be a great year! I’m excited for all that we are doing here and From Sac, to see how authors interpret the theme, and to just see what the rest of the world is going to do and be.
I’d seen the Facebook event reminder for Dr. Cornel West’s lecture at Sacramento State University for weeks. Keith Lamont Scott had just been killed over a week before the talk, and afterwards, the typical social media activism populated my news feed. People changed their Facebook photos to show support. People posted memes meant to capture the complexity of racism with a clever quote on top of a photo. And though there were pockets of deeper discourse – people actively looking for solutions – I was ready to unplug and hear Dr. West talk about “Race, Democracy, Justice & Love.”
The talk started at 7:30, so my wife, a friend, and I stepped onto campus at 6:15 to get good seats. But when we arrived, we found a line from the door of the student union winding past four classroom buildings. My companions waited in line as I entered the union from the back entrance, hoping to see someone I knew near the front of the line. The lobby outside the union ballroom was packed wall to wall and it was clear that even had I found someone, there would be no way to get to them.
“Can you believe this?” I said to a police officer monitoring the crowd.
She looked at me and shook her head.
“How many people does the ballroom hold?” I asked her.
“1,500, I think. But there’s probably 3,000 people out there.”
I took a spot on the grass on the quad outside just in case my wife and friend couldn’t get a seat. A screen had been setup outside where they’d stream Dr. West’s talk. By 7:15, my companions had joined me and a teeming crowd with one of the most diverse groups of people I’d ever seen. Black, white, brown, old, young, abled, disabled. Still, the majority of the crowd were college students, some with their laptops and notebooks out, and then it struck me. This large group of people I was sitting in the middle of hadn’t come to Sac State for a singer or band or actor or other kind of entertainer, they’d come here for an intellectual.
The crowd, the moment, felt crucial.
When Dr. West appeared on the screen in his usual black “funeral” suit he said he wore because he was always prepared to die, the crowd cheered as though some heartthrob had emerged on stage. Beside me, a young black man held his girlfriend and said, “There he is.” Under the trees to my left, two women dressed in Native American garb hollered. A man in a wheelchair near the front clapped slowly. Many had their phones out, recording, wanting to capture every word.
The first thing Dr. West did was thank his mom, who, along with some of his other family, sat in the first row. For a talk about love, it was an important beginning. Dr. West, who had been raised in the Glen Elder neighborhood of South Sacramento, stated that he is who he is because his mom loved him. From there, using his rich voice and verbal mastery, Dr. West led the crowd on a trip meant to challenge the preconceptions we receive upon our American births. For black and other marginalized groups, one of these birthrights is that of despair. But he reminded us that he wasn’t asking us to participate in “sentimental perceptions of the world” that make us want to “evade disillusionment and despair,” but to actually live with despair, to embrace it, because through that we are led to moral awakening.
He continued to touch on the need for moral awakening throughout his hour-long speech. The main way to reach this awakening, he said, is through love. “You have to muster the courage to love truth and love beauty and love goodness,” he reminded us. “We have a profound love deficit,” he continued. “It’s the only way we can account for the fact that we are the richest nation in the history of the world and yet 22% of our precious children no matter what color” and “44% of black children under six live in poverty.” This is a problem we can solve with love, he said.
But how? First, by understanding that justice = love. If Wall Street execs can embezzle billions of dollars and not go to prison, but “let Jamaal get caught with a crack pipe or Juanita get caught with marijuana and off to jail” they go, then that’s not justice, and therefore, it’s also not love. If you consider yourself an American but refuse to engage honestly in public discourse about race, then you are not participating in justice and therefore, not participating in love. Second, by being prepared to die because of love. Not a literal death, of course, but if we love all other human beings, we must be willing to kill off those preconceptions we receive as Americans, preconceptions that say whites are better, that males are better, that straight people are better.
Dr. West acknowledges that these deaths take a lot of work. He says that in order to kill these parts of us, we need to develop a “catastrophic consciousness” that he correlates to the blues, where people are on “intimate terms with terror, trauma, stigma, catastrophe, calamity, and monstrosity” because these are “part and parcel of what I am.” In other words, we need to develop a consciousness that isn’t afraid to love.
As the speech ended, though the sky had darkened, through the streetlamp lights and parking lot lights and cell phone lights, I could see people of all genders and all races and all ages nodding and clapping and yelling that yes, we agree, these are problems that love can solve. We stood and looked at each other as though we’d all learned something about ourselves, as though we were committed to killing off the parts of ourselves that prevented us from loving truly, especially those different from us. My wife, our friend, and I walked back slowly to our car, and around us college students spoke vigorously about the talk, and I smiled because their voices sounded like hope, because their voices sounded like love.
The month of February was filled with a few speaking engagements and I have to admit, speaking to people about writing (especially other writers) is a wonderful feeling. I started out with the Sacramento Suburban Writers Club. I spoke about publishing and the perspective of an editor. The group was filled with a variety of experience levels, so I touched base on a few things that I thought would pertain to everyone.
I discussed the importance of editing and reading the submission guidelines. Nothing turns my inner editor off like receiving a submission with spelling and punctuation errors or seeing that the author didn’t pay attention to the submission guidelines. These are simple things that will make or break whether we initially even look at your submission.
Another big topic that sparked a discussion was whether or not to submit for free. Here are my thoughts: You have to start someone where. If you want to be a writer because you want to be rich, good luck. Let’s be real, the odds are not in your favor. Sure, it is nice to get paid for your work. You spend endless hours looking over each sentence. You want to get recognized for your effort and time, but you have to have readers first. And the way to get readers is to get your stuff out there for people to read. In the beginning, I suggest submitting wherever, whenever you can. Don’t worry about getting paid, worry about getting published. Also, I would advise trying to find places to submit that do not have submission fees. It can get a little pricey if you are submitting often. Pick and choose wisely. Remember, you will be rejected. Hang those rejections like badges of honor. Even if you don’t get published the first or twentieth time around, you did it. You sat down and wrote something and sent it off for other eyes to see. That is a feat in itself.
The last thing I’d like to highlight from this meeting is creating a media presence. As we know, the internet is a powerful tool. Facebook, Instagram, Twitter, etc. reach out to more people than we can imagine. If you want to be read, want to be known, this is a powerful tool. Create a blog or Facebook page or an Instagram or all three and tie them together. The more people you can reach, the bigger the following you will have. Even if this doesn’t generate a following in the beginning, it gives you a space to share your writing with others. Start small. Invite your family and friends to join you and ask them to share with others. It’s easy and it’s free.
Check out the Sacramento Suburban Writers Club at:
A few weeks later, I found myself at West Sac’s River City High School and spoke with a Creative Writing class.
I spoke with high school students about my book, Pieces, the creative writing process and answered their questions. They asked me some of the following questions:
1. What is your writing philosophy?
2. Where/how do you research for a story?
3. What advice would you give to someone just starting out?
4. Where do you get your inspiration from?
Who knew I would be stumped by high school students? It was difficult to find a concise answer for these questions, but I did my best. Here are my answers:
1. Keep writing. And reading. A good writer continues the practice of writing always and forever. You keep working your craft, reading other writers, learning new structures, taking away from others that are doing what you love and even learning from the things you don’t necessarily love. No one lies when they say practice makes perfect. And when I say perfect, I mean perfect in your own way (not some kind of standard set by someone else).
2. If the topic is something technical, I read about it. Go to the library. Research online. But most of what I write comes from living life. People watching. Interacting with others. Thinking deeply about things and discussing them with friends. My whole life is research for my writing.
3. The same answer as number one. Keep writing. Practice, practice, practice. And read as much as you can from all genres. Find your own voice.
4. Usually life experiences or my other interests. For instance: fairytales. I am fascinated by the narratives of fairytales and how they have lasted for so many years. How they shape art and life. This comes to play in my writing. And nature. I love being out and in nature. A lot of my stories happen outside. I don’t think about much. It just happens as I write. Everything I consume becomes a part of me and leaches out into my writing.
Those are my answers, what are your answers?
Of course, after I answered all of their questions, I gave them fliers for From Sac. What better way to get their feet wet than to submit with us for the first time?
With the beginning of the new year, begins the newest submission season for From Sac. And this year couldn't be more excited about our theme for 2016: OUTSIDER. For the first time, From Sac will be accepting submissions from everyone!
We know it can be hard submitting blindly to a press, especially blindly to people. So let's meet the editors (who have not changed since very beginning) for the 2016 issue of From Sac:
Elison Alcovendaz (Editor)
Hi, my name is Elison.
I'm that friend who didn't really like Star Wars: A Force Awakens (but still owns a plastic lightsaber he uses when it’s pitch dark and he needs to get out of bed and walk to the bathroom, only to stop in front of the mirror and have a ten second lightsaber battle with the darkness). I'm the guy who works in a cubicle 8-10 hours a day thinking about how important the invention of the paper clip was then comes home debating whether to go to the gym, watch Big Bang reruns, or eat ice cream (or watch Big Bang reruns and eat ice cream). I’m that guy who spends too much time: in fantasy sports land, scrolling through my Facebook feed, reading any random book I can get my hands on, and looking up random pains on WebMD then spends the next two hours wondering if its lupus (it's not lupus, says House). I’m that dude who still uses the word dude, who thinks 90s Hip Hop is the best musical genre (Ja Rule, bruh), and thinks J.K. Rowling and Derrida are equally important authors (don’t get me started on deconstructing Harry’s scar).
My work has appeared in Gargoyle, The Portland Review, The Alarmist and a bunch of other beautiful literary magazines that you should buy after you purchase From Sac. I have a completed YA novel I’m shopping around and am working on a short story collection, a flash fiction collection, and five different novels (because I keep starting new ones… someone stop me!)
But enough about me. Let’s talk about you, the submitter. When I’m reading submissions, I’m either looking to be impressed – by your bravery, your intellctualism, your originality, your voice, etc. – or genuinely moved, whether to laughter, to tears, to anger, to something. In other words, be you and be the realest you you can be. Don’t try to be your college professor or Hemingway or Borges. Don’t try. Trying is for suckas. Like Yoda and Nike said, “Just do and just be.”
Tess Perez (Editor)
“I love writing my own bio,” said no one, ever. Overall I am a light-hearted person. Most things in life I find funny even the things that aren’t funny which cause me some issues. I put serious artsy films and a great comedy on the same pedestal. My habits in reading are a bit schizophrenic, all based on mood. I’ll read several books at once and never finish any of them. In the past I used to finish a book even if it felt like I was being run over by a car over and over and over…you get the point. Life is too short to waste your time on anything that doesn’t bring you joy. I don’t believe that just because somewhere, at some time a book was deemed a “classic” means that the book is actually good. I got half way through Wurthering Heights and I wanted both Catherine and Heathcliff to die so I didn’t have to hear them whining any longer. There are other books/authors I have similar feelings for, but I’ll omit those for fear of being stoned by my hardcore literary friends.
There was a two-year stint where I taught Literature and Film and Composition. Teaching comes easy to me. I find comfort in being in front of a classroom full of students. It is a job that allows you to keep learning, playing the role of the teacher and the student at the same time. Teaching is also a hard profession to get into, at least at the college level. I’d still be teaching if the school I taught for didn’t have to shut down. But I haven’t lost hope. The search continues.
In the meantime, I write and I edit. You know you’re a nerd when…you get excited to edit another writer’s work. Do you remember how Scroodge McDuck used to roll around in his pile of money? That’s me when I have papers to edit. You may be annoyed with the five pages of notes I’ll return back to you, but I guarantee that I will have spent time with your work and gave it my full attention. Per the usual response of a writer, “I’m currently working on several short stories, blah, blah, blah.” But no, really, I am working on two short stories at the moment, along with a project I hope turns out to be a novel and I am working on a collaborative project with another writer. When you simplify it, writing is just playing with words. Shaping them into something beautiful to share with others who will read them. If I am not constantly playing, I might as well be…let’s not be so dramatic.
Jon Alston (Executive Editor)
Here’s the thing: I hate talking about myself. Mostly because I have no idea what to say, but also because I’m incapable of distinguish between important facts and odd quirks that make people uncomfortable. Such as: I get this weird tingling sensation in my mouth whenever I hear ripping fabric; a very visceral rippling through my tongue and the lining of my mouth. I can’t explain why, I just do. My life is complicated like that, mostly with oddities that really don’t have a whole lot of correlation between each other. And yet, I press on.
A short summary: I like to create. Whether with words, paint, wood, wire, food, glass, metal; you name it, I want to try it. Using my hands is what makes me feel useful. It’s what makes me feel like I have a purpose.
On a whole, I’m a simple man. I want a (mini)house. I want a Malamute. I want to be a full time writer. I want to have a few acres so my family can enjoy nature and grow things and be productive, self-sufficient, members of our community. I don’t need to be rich. I don’t need to have the latest phone/car/toy/thing/whatever. Just simple stuff. Of course, life doesn’t work out like that often, and so for now I work retail full-time, teach university part-time, and write when I have the chance and the kids are asleep; and then when that’s done, From Sac. Most weeks are 60+ hours and are devoid of anything creative. Such is the life of a young family man.
Family is my life right now. And I love it. I won’t lie, it’s hard. Way harder than I thought. And frustrating. Two kids still in diapers—only 19 months apart—can be horrifying and wreak havoc on your soul. But that’s okay. We did it to our parents, now our children get to do it to us. Such is the cycle of the universe. When I’m not at work, I’m chasing the kids around from one mess to the other while their mother works tirelessly on homework and TA grading. We could not be busier. So of course we take on projects like quilts and paintings and photography sessions and across-states visits to friends and family.
That’s just one definition of what it means to be a writer.
To just live and be. And that living and being gives you fuel to create. Most of the time you are too tired to make something beautiful out of all the experience; but every once in a while, there is a moment when all is silent and your world stops, giving you that subtle break you need to capture the essence of what has been.
***New updated photos of everyone coming soon***
Watch this video:
Often we writer's find ourselves sitting before that blank page, waiting for something to come, for that brief glimpse into Art--that unknowable space where beauty lies just out of reach, that place we yearn for in hopes of tasting the smallest morsel--but the black page stares back, void, hollow, relentless in its nothingness. And so we find ourselves slipping off the page and onto Facebook, Twitter, Instragram, Reddit, Pinterest, Youtube, etcetera etcetera etcetera. That Crazy Monkey Mind rips you away from your passion, your desire, your goal. We sit, falling down the rabbit hole into webspace (or any other time wasting ventures that produce nothing), saluting the Crazy Monkey Mind, spouting soliloquies to our master, affirming its power, "Yes sir, yes sir, you are in control, sir." Our minds, it often seems in the creative fields, control us.
I'm no meditator by any stretch of the imagination; I am also not in control of my mind, either. In order to be successful creators, we must first be successful controllers of the part of our bodies that is designed to create. Because it will do it's own creating without your saying so. And nothing will get done.
Become friends with your mind, and your writing will improve exponentially.
Last November I deleted my Facebook account. I did this for many reasons, one of them being distraction. It had come to my attention that Facebook became a wasting of my time. Instead of sleeping when I laid in bed I would spend an hour or two flipping through my feed, taking quizzes, watching videos, etc. and wake up in the morning feeling groggy and tired. Checking my Facebook app became a habit. Stand in line; check Facebook. At lunch; check Facebook. Sitting on the couch; check Facebook. Get out of the shower; check Facebook. You get the picture. None of this enhanced or added to my life. In fact, it took away from my life. Instead of being productive, paying attention to my surroundings, getting sleep, engaging in and being present in social settings, I was allowing myself to be distracted by a screen. Something needed to be done about this bad habit.
After deleting my account, it felt a bit like I had cut myself off from the world. I was amazed at how Facebook created a sense belonging to a community. After this dissipated, I came to enjoy the disconnection. Gone were the days of distraction and procrastination. My writing time increased. I started reading more and participating in more creative endeavors. I also spent some of this time contemplating my intentions in using Facebook. The more time that passed, the less I felt like re-entering that world. The one thing I did miss was the connection with my writing community. I began exploring how I could re-enter the Facebook world for the purpose of staying connected to my writing community without becoming distracted again and wasting time. Seven months after deleting my account and taking a well needed break, I created a new account; this time with different intentions.
In life I have come to believe the following to be true: “Everything in moderation.”
Instead of seeing Facebook as a distraction, I worked out a way to use it as a tool and create some balance and moderation for myself. These are a few things I contemplated and the ways I altered my Facebook page to work for me as a writer:
1) Figure out what you are passionate about.
Don’t just leave Facebook open to anything and everything. Think about what you are passionate about and then move to number 2.
2) Follow people and pages that encompass your passions and tailor your news feed.
Everything you “like” on your page will tailor what you see on your feed. If you “like” a friend’s posts that are constantly negative, then your feed will bring you negativity. Be picky. Don’t just “like” things for the sake of liking things. Don’t “friend” someone or accept a “friend” request out of obligation. You get to create your Facebook world. Don’t invite others in who bring negativity. Tailor your news feed to see only what you want to see. Follow those who have similar passions, in my case I follow writers, friends that write, pages about writing, etc.
3) Set aside time for Facebook instead of checking it whenever, wherever.
With access to Facebook on your phone, it is easy to get caught up in this compulsive action. Checking Facebook can become a mindless act once the habit is created. Set limits for yourself. For example, you don’t need to check Facebook while sitting down to a meal, in the middle of a conversation or while at the register at the grocery store. Be mindful of this.
These three steps are what I used when re-entering the Facebook community and setting up my page. My tailored personal intentions were made up of the following:
-Create a community of writer friends and other pages having to do with writing.
-Like/follow pages that cater to my interests, such as backpacking, hiking, growing things, etc.
-Tailor my news feed to only “feed” me with information that will enhance my life with knowledge, joy and positivity.
-Limit my use of Facebook and constantly be aware of my intentions.
So far I have created an informative Facebook page full of notifications from journals for submissions, local readings/writing events, updates on publications from writer friends, banter about writing, language, teaching, etc. and informative articles about all things having to with writing and outdoor topics. To have so much information about writing in one place makes Facebook operate as a tool for my writing and with submission season in full effect, this is very helpful.
Not everyone may need this kind of discipline, but for me it is so easy to get lost in the screen. I no longer allow myself to take Facebook breaks when writing and just this tiny change has made all the difference in my productivity level. Hopefully sharing this will help you think about the little distractions in your life that keep you from doing what you really love to do and help you create a change or two that will restore balance. Especially for those who write, we all know that discipline and focus is the key to getting your words to reach an ending.
Remember story time? Those moments in our younger years when a teacher, librarian, or a parent sat us down and read a story. Lately I have been thinking about how having a story read to me is different than reading a story on my own. I miss those days stretched out on the carpet or in my bed listening to another voice read the words out of a book. How my imagination runs differently hearing the story fall from another’s mouth. No one reads to adults unless they purchase an audio book or get to sit in on story time for a little human. This is a sad fact. I am sure if I asked one of my friends to read me a story I would get a strange look and would probably be asked if I had been drinking.
Lucky for me I discovered a brilliant podcast called Snap Judgment on NPR. The show is described as “stories with a beat” and the host is Glynn Washington. He has a wonderful story telling voice, the kind of voice you can listen to all day. Each story has a soundtrack and sound effects. Washington usually leads off the podcast with a story he personally tells followed by a couple other stories from other people that fit into the theme of that podcast. They are a mix of some fiction and some memoir. It is important as a writer to hear stories being told. It allows you to think about your audience. Listening to the stories on Snap Judgment force me to step outside of myself for a moment and consider my own writing. The stories are short; not long stories that have to be committed to for a long period of time. The topic range is so broad that I may listen to a story I may have otherwise skipped over.
Hearing a story read out loud rather than reading it is a simple pleasure, one that reminds me of childhood. And what better way to enjoy a warm evening than lying on the couch listening to a story. Take a moment to change things up and have a story read to you.
Oh…and if you are a writer, you can submit stories to be read and performed on the podcast.
Check out the website: www.snapjudgment.org
I recently visited the Shakespeare and Company bookstore in Paris, and by pure happenstance, came upon a reading by two of my favorite authors, Lydia Davis and Jonathan Safran Foer. As you probably know, there are two types of readings: 1) the kind where people simply read their work (and where there’s probably an open mic), and 2) the kind where authors show up to sell their books. Generally, most authors conducting the second kind of reading repay the attendees’ attention and financial support by signing books and chitchatting with them.
While Lydia Davis was warm and attentive after the reading, Foer was completely the opposite. While I was speaking with Davis, Foer grabbed his book out of my hand, signed it, and handed it back to me without even looking up once. I stood to the side and asked if I could ask him a question, to which he nodded.
“Thanks,” I said, smiling. “Do you think writers need an MFA?”
He sighed and leaned back, casting a sideways glance at Davis, who was busy talking to the bookstore employee managing the autograph line. Foer grabbed the book of the person behind me and said, not looking at me, “Did Kafka have an MFA? Did Kafka have an MFA?"
Foer himself doesn’t have an MFA, but he must consider it important as he teaches in the MFA program at NYU. As such, he should probably know that Kafka wrote before MFA programs were even a thing. I stood there, his signed book in my hand, waiting for more, but he took the book from the next person and dismissed me with a slight wave of his hand.
No, he didn’t owe me anything. Maybe he had a bad day. Perhaps he was just your everyday asshole, except he started his reading by talking about the importance of the literary community. He said that if there was one bookstore left in the world, it should probably be Shakespeare and Company and how deeply honored he was to be part of the bookstore’s community. He must’ve used the word “community” at least five times in those first few minutes.
And yet here I was, a part of that literary community he just spoke about, trying to pick the brain of someone who existed in a place I want to someday be, and I was being disposed of as though I was the terrible first draft of a novel that would never be published.
As I walked back across the Seine, all I could think about was about what being a community means. And above all, it means being generous. And as I thought about all the literary communities I’d been in, all the classes, all the workshops, all the back and forth online reading of drafts, I realized that if I was being honest, I’d have to say generosity wouldn't be the first word that came to mind.
Take writing workshops, for example. It’s a completely vulnerable thing, putting your work out there. When our pieces are being workshopped, we sit in anxious anticipation of the feedback we’re going to receive. Some of us want validation, but most of all, we want critical feedback. And despite that, when we respond to someone else’s work, or provide marginalia to their draft, we don’t take the time to really read their story, to think about their story. We usually do these in a rush. An afterhought. If you’ve had to grade this type of feedback, then you know. Most feedback is mediocre at best. We want sincere, critical feedback to our work but are unwilling to provide the same to others.
Why is this? Is it because the core of what we do – the act of writing – is a solitary endeavor? The solitude of the writer is such an ingrained myth that most of us think being alone is necessary. But as writers, knowing how vulnerable writing can be, how alone it can sometimes be, you’d think we’d be more open to provide help and feedback whenever we can. All words are important, not just our own.
So here are a few suggestions to play a better role in the literary community:
1) Submit to literary magazines.
This is the easiest thing to do. You’re already writing stories, so submit them. Enough with that fear of rejection. Rejection sucks, sure, but literary magazines have readers and readers need something to read, which they can’t do unless you submit. So submit.
2) Subscribe to and buy literary magazines and books.
Look, we all know that money is an issue for a lot of us, but think about where you’re spending your money. Forgoing one Oprah Chai Latte a week would be enough to buy one or two literary magazines a month, not to mention the free e-zines out there. On top of that, you can get a better idea of what’s going on in the lit world now. If writing is important to you, getting a hold of a wide range of lit mags and books is imperative. If you can't buy lit mags and books, edit for one.
3) Write to authors.
Do this. If you read something you like in a literary journal or a blog or whatever, send the author a note. Tell them why you loved it. Tell them why it affected you. Let them know that their words reached someone. Let them know they impacted the world in some way. Let them know they’re not alone.
4) Participate for real in workshops.
Writers can be solipsistic. We’d rather get to writing our own stories than reading someone else’s. Understandable. But these people are trying to do the same thing you’re doing. They’re going through the same struggle. So if you’re in a workshop (and you should be in a workshop or other type of writing group), provide the same time and respect to their stories that you want for yours. Not only might you learn something from reading their work, you might develop relationships and networks along the way.
5) Don’t be an ass.
If you’re lucky enough to be someone whose books people actually want to buy, whose autograph people actually want, then don’t be an ass. Got that?